Direct Credit CardChecks
AT HOME IN THE DARK featuring FAUN by Joe Hill - soon to be a Netflix film.
Edited by Lawrence Block.
Dust jacket illustration by Ken Laager.
FAUN, by Joe Hill, makes its original appearance in this collection. It was optioned by Netflix (in a three studio bidding war) for an original film production.
Here was the pitch to the studios: Narnia. Hogwarts. Neverland. All magical places that mortals can travel to and marvel at the strange creatures and wonders not seen in our world. What if a door to a magical land was discovered and instead of pure hearted adventures, a man saw an opportunity to charge a fortune for an exclusive private game reserve where you can “bag” a magical creature. Multi-millionaire Tip Fallows is a recreational hunter looking for more interesting challenges. Another wealthy hunter, Stockton, has a secret to share and a journey to offer. All they need to do is pay a quarter of a million dollars to go through a little door in an old house in rural Maine. We see a supernatural adventure film that bring a fresh magical take on The Most Dangerous Game.
OVERVIEW: The crime fiction canopy's a broad one, with room to give shelter to writing of all sorts, as editor Lawrence Block shows with At Home in the Dark: “Some of these stories have one or both feet planted in another genre. James Reasoner's story is a period western, Joe Lansdale's is bleakly dystopian, and Joe Hill's novelette slithers through a little doorway into another world. “And now that I've singled out those three, I suppose I should go ahead and list the rest of the gang: N. J. Ayres, Laura Benedict, Jill D. Block, Richard Chizmar, Hilary Davidson, Jim Fusilli, Elaine Kagan, Warren Moore, Joyce Carol Oates, Ed Park, Nancy Pickard, Thomas Pluck, Wallace Stroby, and Duane Swierczynski. “If you're looking for a common denominator, two come to mind. They're all dark stories, with nothing cozy or comforting about them. And every last one of them packs a punch. “Which is to say that they're all very much At Home in the Dark—and we can thank O. Henry, master of the surprise ending, for our title. 'Turn up the lights,' he said on his deathbed. 'I don't want to go home in the dark.
Table of Contents: